This issue of El Croquis  features the work of Arno Brandlhuber, probably best know for the Antivilla in Postdam, Germany.

Based in Berlin, Brandhuber is one of the most intriguing European architects today. Known for his various collaborative practices involving an array of people – architects, artists, writers, filmmakers, musicians – and an oeuvre rich in cultural references, Brandlhuber stands for a discursive practice. He brings together individuals who represent the new creative class which has become increasingly crucial for cities everywhere, and he believes in their ability to develop new, more diverse and flexible lifestyles.

This special issue includes essays by Bart Lootsma and Moritz Küng, and features a selection of 20 exemplary projects.

This issue of El Croquis  features the work of Arno Brandlhuber, probably best know for the Antivilla in Postdam, Germany.

Based in Berlin, Brandhuber is one of the most intriguing European architects today. Known for his various collaborative practices involving an array of people – architects, artists, writers, filmmakers, musicians – and an oeuvre rich in cultural references, Brandlhuber stands for a discursive practice. He brings together individuals who represent the new creative class which has become increasingly crucial for cities everywhere, and he believes in their ability to develop new, more diverse and flexible lifestyles.

This special issue includes essays by Bart Lootsma and Moritz Küng, and features a selection of 20 exemplary projects.