Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, he employs virtual reality, robotics, medical instruments, prosthetics, the Internet, and biotechnology. Stelarc's art includes physical acts that don't always look survivable - or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality."

Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years.

Stelarc is the most celebrated artist in the world working within technology and the visual arts. He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, he employs virtual reality, robotics, medical instruments, prosthetics, the Internet, and biotechnology. Stelarc's art includes physical acts that don't always look survivable - or, as science fiction novelist William Gibson puts it in his foreword, "sometimes seem to include the possibility of terminality."

Although there have been hundreds of articles written about Stelarc since he began performing in the late 1960s, Stelarc: The Monograph is the first comprehensive study of Stelarc's work practice in over thirty years. Gathering a range of writers who approach the work from a variety of perspectives, it includes William Gibson's account of his meetings with Stelarc, Arthur and Marilouise Kroker's emphatic "We Are All Stelarcs Now," and Stelarc himself in conversation with Marquard Smith. Taken together, these writers give us a multiplicity of ways to think about Stelarc.