When do you know something? And at which point can you be sure that what you know is true? Knowledge of facts is distinct from opinion or speculative assumption. We rely on various sources to determine the validity of information and separate fact from fiction.

Fascinated by awareness and ignorance, Anna Püschel (DE/FR) began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. These definitions – some objectively true, others with questionable veracity – are brought together in the Encyclopedia of the Uncertain, a work that redefines referencing, and boldly juxtaposes French poetry to conspiracy theories, recipes, and political essays. But regardless of their origin, the definitions show that we have always yearned for the truth.

What does this mean for us today? Between post-truth and alternative facts, we observe an absurd phenomenon: we can access knowledge faster and easier than ever before, but the number of alternative versions of the same truth it is accompanied by is also unprecedented. From YouTube algorithms to Telegram channels, from Facebook comments to ChatGPT-generated texts, finding truth is getting harder every day.

As individuals in uncertain times, we not only have the right but also the duty to look for truth, and not blindly follow the loudest voices that (un)knowingly propagate falsities. Instead, we must acknowledge what we do not know and listen to nuance, for there is beauty in uncertainty.


Anna Püschel is a photographer and visual artist. Anna Püschel studied Photography at St. Joost in Breda, The Netherlands, and Fine Arts at LUCA in Gent, Belgium. Her work focuses on invisible phenomena, questioning the consumption of reality. Layers of the unseen, aspects of our world we barely notice, come back in Anna’s work. She wants to point out that the world we live in contains much more than we are willing and able to perceive. In her work, she tries to make aspects of these hidden realms visible. Her photography combines analogue and digital, often using databending to interfere with the content of the image.

When do you know something? And at which point can you be sure that what you know is true? Knowledge of facts is distinct from opinion or speculative assumption. We rely on various sources to determine the validity of information and separate fact from fiction.

Fascinated by awareness and ignorance, Anna Püschel (DE/FR) began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. These definitions – some objectively true, others with questionable veracity – are brought together in the Encyclopedia of the Uncertain, a work that redefines referencing, and boldly juxtaposes French poetry to conspiracy theories, recipes, and political essays. But regardless of their origin, the definitions show that we have always yearned for the truth.

What does this mean for us today? Between post-truth and alternative facts, we observe an absurd phenomenon: we can access knowledge faster and easier than ever before, but the number of alternative versions of the same truth it is accompanied by is also unprecedented. From YouTube algorithms to Telegram channels, from Facebook comments to ChatGPT-generated texts, finding truth is getting harder every day.

As individuals in uncertain times, we not only have the right but also the duty to look for truth, and not blindly follow the loudest voices that (un)knowingly propagate falsities. Instead, we must acknowledge what we do not know and listen to nuance, for there is beauty in uncertainty.


Anna Püschel is a photographer and visual artist. Anna Püschel studied Photography at St. Joost in Breda, The Netherlands, and Fine Arts at LUCA in Gent, Belgium. Her work focuses on invisible phenomena, questioning the consumption of reality. Layers of the unseen, aspects of our world we barely notice, come back in Anna’s work. She wants to point out that the world we live in contains much more than we are willing and able to perceive. In her work, she tries to make aspects of these hidden realms visible. Her photography combines analogue and digital, often using databending to interfere with the content of the image.