Won Bronze medal ‘Schönste Bücher aus aller Welt’ 2011 - Best Dutch Book Design 2010
As   a politically engaged graphic artist and designer Gerd Arntz   (1900-1988) portrayed the world in wood and linoleum cuts. During the   1920s, he conveyed his vision on social wrongs and the rise of nazism in   Germany in his prints. He did this in such a simple, direct style that   anyone - regardless of their education and nationality - was able to   understand his images. This prompted the Viennese social scientist Otto   Neurath (1882-1945) to ask him to design the symbols for the   ’International System Of TYpographic Picture Education’ (ISOTYPE).
This book  displays  many Isotypes and explains the system and its context. This  overview of  Gerd Arntz’s life and work includes a selection of his  political prints  and other rare visual material that was never  published previously.
 
        Won Bronze medal ‘Schönste Bücher aus aller Welt’ 2011 - Best Dutch Book Design 2010
As  a politically engaged graphic artist and designer Gerd Arntz  (1900-1988) portrayed the world in wood and linoleum cuts. During the  1920s, he conveyed his vision on social wrongs and the rise of nazism in  Germany in his prints. He did this in such a simple, direct style that  anyone - regardless of their education and nationality - was able to  understand his images. This prompted the Viennese social scientist Otto  Neurath (1882-1945) to ask him to design the symbols for the  ’International System Of TYpographic Picture Education’ (ISOTYPE). 
 During his long career, Arntz made more than 4000 coherent, powerful and  legible symbols and figures. We still see their traces around us on a  daily basis: in pictograms featured on objects ranging from traffic  signs to gameboys, and in information graphics.
This book displays  many Isotypes and explains the system and its context. This overview of  Gerd Arntz’s life and work includes a selection of his political prints  and other rare visual material that was never published previously. With  contributions from Flip Bool, Gert Dumbar, Mieke Gerritzen, Nigel  Holmes, Max Kisman, Paul Mijksenaar and Erik Spiekermann.
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The book’s design works sensitively with areas of colour, partly  underlying the illustrations, and dutifully transmits the expression  contained within the pictorial language through clear and precise  typography.
Jury rapport Bronze medal ‘Schönste Bücher aus aller Welt’ 2011
A  lovely new monograph on Arntz, published with obvious care by 010,  tells his story and reproduces work that can, in every sense, be called  iconic. 
Mark Lamster in Design Observer, 20 January 2011
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de Volkskrant, 22 January 2011
Het  boek toont zowel zijn werkwijze als zijn werk, inlcusief een aantal  niet eerder gepubliceerde projecten. Zoals het aandoenlijke  ‘memoriespel’ waarmee hij zijn zoon Peter hielp woorden te leren via  beelden. 
Tracy Metz in NRC Handelsblad, 23 January 2011
Zijn  werk als beeldstatisticus beklijft zonder enige moeite. Door de rijke  hoeveelheid illustraties en de kernachtige teksen een aangenaam  bladerboek. 
Sjoerd van Faassen in Den Haag Centraal, 14 January 2011