Based in Mexico City, Manuel Cervantes is a member of a generation that embarked on a quest for architecture deeply rooted in context and respectful of modern tradition. Since starting his own office in 2004, Cervantes has been recognised for his commitment to technique, rigour, and the given context of the site. Nine exemplary projects are presented, among them collaborations with other architects such as Nicholas Préaud, Héctor Esrawe, Jorge Ambrosi and Héctor Barroso, and Alberto Kalach. In addition, the issue includes a feature on the competition for the Dallas Museum of Art, with designs by Nieto Sobejano, Johnston Marklee, Diller Scofidio + Renfro, and more.

Based in Mexico City, Manuel Cervantes is a member of a generation that embarked on a quest for architecture deeply rooted in context and respectful of modern tradition. Since starting his own office in 2004, Cervantes has been recognised for his commitment to technique, rigour, and the given context of the site. Nine exemplary projects are presented, among them collaborations with other architects such as Nicholas Préaud, Héctor Esrawe, Jorge Ambrosi and Héctor Barroso, and Alberto Kalach. In addition, the issue includes a feature on the competition for the Dallas Museum of Art, with designs by Nieto Sobejano, Johnston Marklee, Diller Scofidio + Renfro, and more.